Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.

收到(➿)(dà(🍠)o )媽媽從山上寄來的(👬)(de )蜜(🔻)蘋果，小(xiǎo )月計算(suàn )著(😾)，媽(🗜)媽已(yǐ )經在外工作(✍)(zuò(👞) )許久了(le )，媽媽的搖(yáo )籃(👐)曲(🏕)總是在耳邊呼(hū )喚(🔀)著(🎙)。『你(nǐ )媽多久(jiǔ )沒回(🗽)來了？』是小月（13歲(🙉)）(🤨)與(yǔ )碧艷（15歲）兩(🏙)個(👊)小女孩彼此關(guān )心的(🌪)話(🍮)語。

Wolfgang.Amadeu.Mozart:

Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.

一对情(qíng )侣外出(🤘)度(🍛)假(jiǎ )，入住豪宅，然而(é(🧣)r )，当(🍹)他们半(bàn )夜醒来(lá(⭕)i )，却(🚢)发现自(zì )己躺在一个(🍘)(gè(📤) )处处充(chōng )斥着恐怖(✋)氛(🎈)(fēn )围的荒弃诡宅中…(👽)…(🎲)他们意欲(yù )逃离，然(🏧)而(❄)却始终(zhōng )逃不出去，努(🔦)力奔(bēn )逃，但逃往(wǎng )的(🎑)地(📡)点却还是这所(suǒ )诡(🌜)异(💣)的荒宅(zhái )……更(gèng )恐(🍟)怖(⛄)的是，当他们再度回(📴)到(😤)这(zhè )座诡宅，却(què )发现(🌼)，时(🍂)间跟他们(men )走出去的(🌎)时(📺)(shí )间，一(yī )样……

A young couple picks the wrong hideout while trying to elude the police.