On the highways of Mississippi, a psychotic priest and his brother are on a crusade to absolve sinners with their own brand of murder.

注目のミステリー作家・大山(shān )誠一郎原作「赤(chì )い博(bó )物館」(🏑)のドラ(🐊)マ化第(📎)2弾。松下(🐱)(xià )由樹(🥞)主演で犯罪(zuì )資料(liào )館緋色冴子シリーズ『赤(chì )い博(bó )物館2』を(⛑)放送す(📧)る。

Two very different young men struggle to keep their grisly crimes a secret in a small town.

Nine no-budget horror/comedy shorts that explore themes of murder, death, revenge, self-mutilation, stalking, clones, hell, and weird squid babies.

星宇(🗑)(yǔ )保全(🤛)接手了(😐)一次特殊(shū )的保(bǎo )护任务，保护对(duì )象竟(jìng )然是(shì )岛上(shàng )56只猴。立夏在任(rè(🍜)n )务中(zhō(🌜)ng )与失散(🍡)多年的(🕳)师姐韩英重(chóng )逢，却不知这场重逢(féng )给她(tā )带来了人生深刻的一场信(xìn )任(🤥)危(wēi )机(🛀)。

电影《哈(🌔)斯(sī )巴(🍡)根(gēn )的(☝)天骄》是一部由王晓民(mín )编剧(jù )的电影作品，影(yǐng )片主(zhǔ )要讲述了研(♋)究生李(🔠)瞳从北(🧛)(běi )京到(🌙)(dào )内蒙(🔵)古牧区小学(xué )支教(jiāo )，牧(mù )区学校教育也在与时(shí )俱进(jìn )，力求让牧民的(de )孩(🍻)子(zǐ )们(🕉)插(chā )上(💥)高(gāo )科(🎇)技的翅膀，飞(fēi )出草(cǎo )原，飞向全世界。李瞳觉(jiào )得：草原优秀传统文(wén )化不(🔰)(bú )能丢(🏸)掉，现代(🥞)的孩子(🙍)仍然(rá(👔)n )可以(yǐ )在马背上锻炼自(zì )己的(de )体魄的故事。

2012年的一个夜(yè )晚，自幼在(🐁)某孤儿(🥋)院(yuàn )长(♉)大(dà )的(🚣)敦也（(😛)山田凉介 饰）、翔太(tài )（村上虹郎 饰）和幸(xìng )平（宽一郎 饰）对某女企(🐌)(qǐ )业家(♈)(jiā )实施(🐴)了抢劫(🕯)，由(yóu )于汽(qì )车意(yì )外抛(pāo )锚，他们仓皇逃(táo )到了(le )一家早已关张的杂货店内(🐟)(nèi )躲藏(🧟)(cáng )。这家(🕡)名为浪(🤘)矢(shǐ )杂(🖤)货(huò )店的铺子此前由风趣和善(shàn )的老(lǎo )人浪矢雄治（西(xī )田敏(mǐ(🍳)n )行 饰）(💝)经营，数(🤵)十年前(🍧)他(tā )出(🛹)于(yú )玩笑帮小朋友们(men )解答(dá )各种困扰，后来名气越来(lái )越大(dà )，以至于有人(🙄)专(zhuān )程(👈)向(xiàng )他(💌)咨(zī )询(🧐)人生中的难题。本(běn )来从(cóng )1980年就该沉寂的店(diàn )铺，却在(zài )三人(rén )闯进来后收(🥜)到了(le )烦(🛍)恼(nǎo )咨(🤒)询信。随(🔄)后敦也(🛠)等人发(fā )现，这些信件竟然来(lái )自遥(yáo )远的过去。神秘的夜晚，迷途(tú(🔯) )青年执(🔙)笔为他(📒)人(rén )排(⏲)忧(yōu )解(🙁)难，他们的命运和这家(jiā )解忧(yōu )杂货店紧紧联系(xì )在了(le )一起……

BBC电视电影(💲)，本片(pià(♎)n )根据(jù(⛔) )真实故(♈)事改编，剧情(qíng )基于(yú )大量事实，并得到了(le )当事(shì )人及其亲属的合作与支持(💸)(chí )，尽(jì(💓)n )力还原(😚)了整个(👩)事(shì )件。

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.